Roland Piano Manual do Utilizador Página 168
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168
Adding Effects
Tone Select
Select the tone for which you want to make settings.
Value: 1–4
This parameter is Rhythm Key Select when a rhythm set is
being selected. You can select the rhythm tone (A0–C8) for
which you want to make settings.
Patch Output Assign
Specifies for each patch how the direct sound will be output.
Value:
MFX: Output in stereo through multi-effects. You can also apply
chorus or reverb to the sound that passes through multi-effects.
A, B: Output to the OUTPUT A (MIX) jack or OUTPUT B jack in
stereo without passing through multi-effects.
1–4: Output to the INDIVIDUAL 1–4 jacks in mono without passing
through multi-effects.
TONE: Outputs according to the settings for each tone.
• When the settings are such that signals are split and output from
the INDIVIDUAL 1 jack and INDIVIDUAL 2 jack, and no plug is
inserted in the INDIVIDUAL 2 jack, the sounds from
INDIVIDUAL 1 and INDIVIDUAL 2 are mixed together, then
output from the INDIVIDUAL 1 jack. This sound comprises the
sounds from the INDIVIDUAL 1 and 2 jacks.
• This parameter is Rhythm Output Assign when a rhythm set is
being selected. You can specifies for each rhythm set how the
direct sound will be output.
If the Mix/Parallel parameter (SYSTEM/General) is set to
“MIX,” all sounds are output from the OUTPUT A (MIX) jacks in
stereo (p. 179).
Tone Output Assign
Sets the direct sound’s output method for each tone.
Value:
MFX: Output in stereo through multi-effects. You can also apply
chorus or reverb to the sound that passes through multi-effects.
A, B: Output to the OUTPUT A (MIX) jack or OUTPUT B jack in
stereo without passing through multi-effects.
1–4: Output to the INDIVIDUAL 1–4 jacks in mono without passing
through multi-effects.
• If the Patch Output Assign ( ) is set to anything other than
“TONE,” these settings will be ignored.
• When the Structure Type parameter (PATCH/TMT) has a
setting of Type “2”–”10,” the outputs of tones 1 and 2 will be
combined with tone 2, and the outputs of tones 3 and 4 will be
combined with tone 4. For this reason, tone 1 will follow the
settings of tone 2, and tone 3 will follow the settings of tone 4 (p.
56).
• When the settings are such that signals are split and output from
the INDIVIDUAL 1 jack and INDIVIDUAL 2 jack, and no plug is
inserted in the INDIVIDUAL 2 jack, the sounds from
INDIVIDUAL 1 and INDIVIDUAL 2 are mixed together, then
output from the INDIVIDUAL 1 jack. This sound comprises the
sounds from the INDIVIDUAL 1 and 2 jacks.
If the Mix/Parallel parameter (SYSTEM/General) is set to
“MIX,” all sounds are output from the OUTPUT A (MIX) jacks in
stereo (p. 179).
• When setting the “MFX,” set the output destination with the
MFX Output Assign ( ) for the sound after it has passed
through the multi-effects.
• Chorus and reverb are output in mono at all times.
• The output destination of the signal after passing through the
chorus is set with the Chorus Output Select ( ) and the Chorus
Output Assign ( ).
• The output destination of the signal after passing through the
reverb is set with the Reverb Output Assign ( ).
Tone Dry Send Level
Set the level of the signal that is sent to the output destination
specified by Output Assign ( , ).
Value: 0–127
Tone Chorus Send Level
Sets the level of the signal sent to chorus for each tone.
Value: 0–127
Tone Reverb Send Level
Sets the level of the signal sent to reverb for each tone.
Value: 0–127
MFX Type (Multi-Effects Type)
Use this parameter to select from among the 90 available multi-
effects. For details on multi-effects parameters, refer to “Multi-
Effects Parameters” (Sound/Parameter List).
Value: 0 (Through)–90
MFX Dry Send Level (Multi-Effects Dry Send
Level)
Adjusts the volume of the sound that has passed through the multi-
effects.
Value: 0–127
MFX Chorus Send Level (Multi-Effects
Chorus Send Level)
Adjusts the amount of chorus for the sound that passes through
multi-effects. If you don’t want to add the Chorus effect, set it to “0.”
Value: 0–127
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- OWNER’S MANUAL 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- IMPORTANT NOTES 4
- Maintenance 5
- Additional Precautions 5
- Before Using Floppy Disks 5
- Handling Floppy Disks 5
- How To Use This Manual 6
- Contents 10
- Main Features 14
- General MIDI 15
- General MIDI 2 15
- Panel Descriptions 16
- Rear Panel 18
- Overview of the Fantom 19
- Rhythm Set 20
- About Simultaneous Polyphony 21
- About Memory 22
- About the Onboard Effects 23
- About the Sequencer 24
- Channels Interact 25
- Positions for Storing a Song 26
- Basic Operation of the Fantom 27
- ([MENU]) 28
- Data ([LIST]) 28
- About the [1]–[8] Buttons 28
- Moving the Cursor 29
- Modifying a Value 29
- Assigning a Name 30
- Playing in Patch Mode 31
- Selecting a Patch 32
- Selecting Favorite Patches 33
- (Favorite Sound) 33
- Auditioning Patches 34
- (Phrase Preview) 34
- (Patch Finder) 34
- Transposing the Keyboard in 35
- Octave Units (Octave Shift) 35
- Semitone Steps (Transpose) 36
- Sound (Tone On/Off) 36
- Playing Single Notes (Mono) 37
- (Portamento) 37
- Playing Arpeggios 38
- (Arpeggiator) 38
- Making Arpeggiator Settings 39
- Selecting a Rhythm Set 40
- Playing Rhythm Patterns from 41
- Creating a Patch 42
- Copying Patch Settings (Copy) 43
- Cautions When Selecting a 44
- Waveform 44
- Patch (Compare) 46
- Registering a Favorite Patch 46
- Functions of Patch Parameters 47
- Patch Tone 49
- Note off 50
- Delay time 50
- Arpeggio 51
- Realtime Controller / D Beam 52
- Modifying Waveforms (Wave) 59
- Modifying Pitch (Pitch) 60
- Sound with a Filter (TVF) 62
- LPF BPF HPF PKG 63
- Adjusting the Volume (TVA) 64
- Modulating Sounds (LFO) 66
- How to Apply the LFO 68
- Creating a Rhythm Set 69
- Types of Rhythm Set Copy 70
- Saving Rhythm Sets You’ve 72
- Rhythm Set (Compare) 73
- Functions of Rhythm Set 74
- Rhythm Pattern Settings 75
- (Rhythm Ptn) 75
- Sounded (WMT) 77
- Playing in Performance Mode 84
- Selecting a Performance 85
- Combining and Playing 87
- Sounds Together (Layer) 87
- Playing Different Sounds in 87
- Different Areas of the 87
- Keyboard (Split) 87
- Region of the Keyboard 88
- Playing Rhythm Patterns in a 89
- Specific Region of the 89
- Keyboard 89
- Using the Fantom As a Master 90
- Confirming MIDI Information 90
- Copying Performance Settings 92
- Saving Performance You’ve 93
- Functions of Performance 94
- Zone Settings (Zone) 98
- Creating a Performance 100
- Part MIDI 103
- MIDI Filter 103
- Changing the Settings of the 105
- Patch Assigned to a Part 105
- Playing in Multitimbre Mode 106
- Selecting a Multitimbre 107
- Playing Back a Song 108
- Selecting a Part to Play 108
- Individually (Solo) 108
- Recording an Arpeggio 110
- Performance 110
- Recording the Performance of 110
- Each Part (Part Information) 111
- Creating a Multitimbre 112
- Types of Multitimbre Copy 113
- Saving Multitimbre You’ve 114
- Created (Write) 114
- Functions of Multitimbre 115
- Parameters 115
- Saving a Chain to Disk (Save) 123
- Various Playback Methods 124
- Start/Stop Song Playback 126
- Recording Songs 127
- Specify the Time Signature 128
- Recording Your Performance 129
- (Realtime Recording) 129
- Recording Tempo Changes in a 130
- Song (Tempo Recording) 130
- Loop Recording and Punch-In 130
- Recording 130
- Inputting Data One Step at a 132
- Time (Step Recording) 132
- Inputting a Chord 134
- Inputting a Tie 134
- Saving a Recorded Song on 135
- Editing Songs 136
- Overall Settings for the Song 137
- (Pattern Name) 138
- Assigning Markers (Locate 138
- Positions) to a Song 138
- Editing Sequencer Data Over 139
- (Track Edit) 139
- Erasing Unwanted Performance 142
- Data (Erase) 142
- Deleting Unwanted Measures 143
- (Delete) 143
- Copying Phrases (Copy) 143
- Inserting a Blank Measure 145
- (Insert Measure) 145
- Transpose the Key (Transpose) 145
- (Change Velocity) 146
- Changing the MIDI Channel 147
- (Change Channel) 147
- (Change Gate Time) 147
- Patterns into One (Merge) 148
- Sequencer Data (Extract) 149
- (Data Thin) 151
- Patterns (Exchange) 152
- (Time Fit) 152
- Editing Individual Items of 153
- Sequencer Data (Micro Edit) 153
- Sequencer Data Handled by a 154
- Phrase Track/Pattern 154
- Viewing sequencer data (View) 155
- Editing the Sequencer Data 155
- Moving Sequencer Data (Move) 157
- Copying Sequencer Data (Copy) 157
- Changing the Tempo Midway 158
- Through the Song 158
- Changing the Time Signature 158
- Midway Through the Song 158
- Before You Use the RPS 159
- Function 159
- Using the RPS Function While 160
- You Perform 160
- RPS Function 161
- Waving Your Hand Over the D 162
- Beam to Modify the Sound 162
- (D Beam Controller) 162
- Using Knobs or Buttons to 163
- Modify the Sound (Realtime 163
- Controller) 163
- Using a Pedal to Modify the 164
- Sound (Control Pedal) 164
- Adding Effects 165
- (MFX/MFX Control) 174
- Functions of Parameters 175
- Making Chorus Settings 176
- (Chorus) 176
- Making Reverb Settings 177
- (Reverb) 177
- Function Settings 178
- Saving the System Settings 178
- How to Make the System 178
- Functions of System 179
- Sequencer 180
- MIDI Settings (MIDI) 182
- Controller 184
- Equalizer settings (EQ) 185
- Scale Tune 186
- About Disk Utility 187
- Basic Disk Utility Operations 187
- Selecting the Type of Files 188
- Saving Data on Disk (Save) 189
- Copying a File to Another 190
- Name (Copy) 190
- Renaming a File (Rename) 191
- Deleting Unwanted Files 191
- Executing Disk-Related 191
- Functions (Tools) 191
- Creating a Duplicate Disk 193
- Transmitting Sound Settings 194
- (Data Transfer) 194
- Reset to Default Factory 195
- Settings (Factory Reset) 195
- Cautions When Installing an 196
- Wave Expansion Board 196
- How to Install a Wave 196
- Expansion Board 196
- Checking the Installed Wave 197
- Expansion Boards 197
- Installation d’une carte 198
- Vérification des cartes 199
- Specifications 200
- Information 212
- Changes in Operation 213
- Realtime Recording window 214
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