Roland Fantom-S Manual do Utilizador Página 44
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44
Creating a Patch
fig.Stretch.e
Analog Feel (Analog Feel Depth)
Specifies the depth of 1/f modulation that is to be applied to the
patch. (1/f modulation is a pleasant and naturally-occurring ratio of
modulation that occurs in a babbling brook or rustling wind.)
By adding this “1/f modulation,” you can simulate the natural
instability characteristic of an analog synthesizer.
Value:
0–127
Cutoff Offset
Cutoff Frequency Offset alters the cutoff frequency of the overall patch,
while preserving the relative differences between the cutoff frequency
values set for each tone in the Cutoff Frequency parameters (p. 51).
Range:
-63– +63
This value is added to the cutoff frequency value of a tone, so if
the cutoff frequency value of any tone is already set to “127”
(maximum), positive “+” settings here will not produce any
change.
Resonance Offset
Resonance Offset alters the resonance of the overall patch, while
preserving the relative differences between the resonance values set
for each tone in the Resonance parameter (p. 51).
Range:
-63– +63
*
Resonance:
emphasizes the overtones in the region of the cutoff
frequency, adding character to the sound.
This value is added to the resonance value of a tone, so if the
resonance value of any tone is already set to “127” (maximum),
positive “+” settings here will not produce any change.
Attack Time Offset
Attack Time Offset alters the attack time of the overall patch, while
preserving the relative differences between the attack time values set
for each tone in the A-Env Time 1 parameters (p. 54), F-Env Time 1
parameters (p. 52).
Range:
-63– +63
*
Attack Time:
The time it takes for a sound to reach maximum volume
after the key is pressed and sound begun.
This value is added to the attack time value of a tone, so if the
attack time value of any tone is already set to “127” (maximum),
positive “+” settings here will not produce any change.
Release Time Offset
Release Time Offset alters the release time of the overall patch, while
preserving the relative differences between the release time values
set for each tone in the A-Env Time 4 parameters (p. 54), F-Env Time
4 parameters (p. 52).
Range:
-63– +63
*
Release Time:
The time from when you take your finger off the key
until the sound disappears.
This value is added to the release time value of a tone, so if the
release time value of any tone is already set to “127” (maximum),
positive “+” settings here will not produce any change.
Velocity Sens Offset (Velocity Sensitivity Offset)
Velocity Sensitivity Offset alters the Velocity Sensitivity of the
overall patch while preserving the relative differences between the
Velocity Sensitivity values set for each tone in the parameters below.
Cutoff V-Sens parameter (p. 51)
Level V-Sens parameter (p. 53)
Range:
-63– +63
*
Velocity:
Pressure with which the key is pressed.
This value is added to the velocity sensitivity value of a tone, so
if the velocity sensitivity value of any tone is already set to “+63”
(maximum), positive “+” settings here will not produce any
change.
1
2
3
OFF
2
1
OFF
3
High note range
Pitch difference from
equal temperament
Parameter value
Low note range
4
Reference_e.book 44 ページ ２００３年７月１４日 月曜日 午後３時２５分
- OWNER’S MANUAL 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFELY 3
- IMPORTANT NOTES 5
- Contents 6
- Main Features 13
- Panel Descriptions 14
- Rear Panel 16
- Overview of the Fantom-S 17
- Rhythm Set 18
- About Memory 19
- About the Onboard Effects 20
- About the Sequencer 21
- Song File (.SVQ) 22
- Standard MIDI File (.MID) 22
- Fantom-S 22
- About the Sampling Section 23
- About the [1]–[8] Buttons 24
- Moving the Cursor 25
- Modifying a Value 25
- Playing in Patch Mode 26
- Selecting a Patch 27
- Selecting Favorite Patches 28
- (Favorite Sound) 28
- Registering a Favorite Patch 30
- Transposing the Keyboard in 31
- Octave Units (Octave Shift) 31
- (Portamento) 33
- Assigning a Parameter to a 34
- Controller 34
- Selecting a Rhythm Set 37
- Playing a Rhythm Set 38
- Creating a Patch 39
- Cautions When Selecting a 41
- Waveform 41
- Patch (Compare) 42
- Functions of Patch Parameters 43
- Modifying Waveforms (Wave) 45
- LO&UP 53
- Modulating Sounds (LFO) 56
- Cutoff Frequency 57
- Sound (Solo Porta) 58
- Miscellaneous Settings (Misc) 60
- Creating a Rhythm Set 64
- The Compare Function 65
- Saving Rhythm Sets You’ve 66
- Created (Write) 66
- Functions of Rhythm Set 67
- Parameters 67
- Sounded (WMT) 70
- Playing in Performance Mode 76
- Selecting a Performance 78
- Using the Layer Screen 79
- Combining and Playing Sounds 80
- Together (Layer) 80
- Using the Mixer Screen 81
- Creating a Performance 84
- [2 (Output Effect)] 85
- [3 (Pitch)] 86
- [6 (Scale Tune)] 88
- [7 (External)] 89
- Selecting the Parameter 91
- Controlled by the Realtime 91
- (Control Setting) 91
- D Beam (Assignable) 93
- Changing the Settings of the 95
- Patch Assigned to a Part 95
- Waving Your Hand Over the D 98
- Beam to Modify the Sound 98
- (D Beam Controller) 98
- SOLO SYNTH 100
- Using Knobs or Buttons to 101
- Modify the Sound 101
- (Realtime Controller) 101
- Using a Pedal to Modify the 102
- Sound (Control Pedal) 102
- Playing Arpeggios 104
- (ARPEGGIO/RHYTHM Function) 104
- Arpeggio Settings 105
- Creating Your Own Styles 107
- Saving the Styles You Have 109
- Created (WRITE) 109
- (CHORD MEMORY) 110
- Playing Rhythms 112
- Rhythm Pattern Settings 113
- (Rhythm Pattern Edit) 115
- You are Editing (Init) 116
- Saving the Rhythm Group You 117
- Have Created (WRITE) 117
- Sampling 118
- Input Effect Setup Settings 119
- Sampling Procedure 119
- Sampling Earlier in Time 121
- (Skip Back Sampling) 121
- Editing a Sample 122
- Displaying Sample Edit Screen 124
- Assigning Samples to a Pad 126
- (Assign To Pad) 126
- From Patch Mode 127
- From Performance Mode 127
- Dividing a Sample into Notes 132
- Joining Two or More Samples 133
- (Combine) 133
- Saving a Sample 134
- Using the Pads 135
- Copying one Pad Setting 136
- Multi-Velocity 137
- Playing Back a Song 138
- Various Playback Methods 139
- Recording Songs 141
- Recording Your Performance 142
- (Realtime Recording) 142
- Inputting Data One Step at a 146
- Time (Step Recording) 146
- Editing Songs 149
- Assigning a Locate Position 150
- Editing Sequencer Data Over 151
- (Track Edit) 151
- Erasing Unwanted Performance 154
- Data (Erase) 154
- Copying Phrases (Copy) 155
- Inserting a Blank Measure 156
- (Insert) 156
- Transpose the Key (Transpose) 156
- (Change Velocity) 157
- Editing Individual Items of 162
- Sequencer Data (Micro Edit) 162
- Sequencer Data Handled by a 163
- Phrase Track/Pattern 163
- Viewing Sequencer Data (View) 164
- Copying Sequencer Data (Copy) 166
- Changing the Tempo Midway 166
- Through the Song 166
- Assigning a Name to a Song 167
- (Song Name) 167
- Saving a Song (Save) 168
- Saving a Song (Save Song) 169
- Basic Procedure 170
- Importing a WAV/AIFF File 171
- (Import Audio) 171
- Before You Use the RPS 172
- Function 172
- Using the RPS Function While 173
- You Perform 173
- RPS Function 174
- Adding Effects 175
- Applying Effects in 178
- Performance Mode 178
- (MFX1–3) 180
- (MFX Control) 181
- Specifying the multi-effect 182
- Mastering Effect 183
- Computer via USB 184
- Canceling USB Communication 186
- Pedal/D Beam 189
- Keyboard 189
- Metronome 192
- Scale Tune 194
- System Information 195
- Data Management Functions 196
- (Factory Reset) 196
- Playing in Piano Mode 197
- Using Fantom-S Editor 199
- System Requirements (Mac OS) 200
- About V-LINK 201
- V-LINK Parameters 202
- Screws to be removed 203
- Clé hexagonale 5 mm 203
- Checking the Installed Wave 204
- Expansion Boards 204
- Vérification des cartes 206
- Expanding the Memory 207
- Checking that memory is 208
- Ajouter de la mémoire 209
- Vérifier que la mémoire est 210
- Troubleshooting 211
- Issues Related to Sequencer 214
- Specifications 217
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